I was lucky enough to get a seat at Khaled Hosseini’s recent book tour for the paperback launch of And the Mountains Echoed. I first read Khaled (I’ll take the liberty of calling him by his first name ;-)) when The Kite Runner took all the bestseller lists by storm, and it’s one of the few “hot” books that, for me, lived up to the hype. I had not read any Afghan writers nor had I read about Afghan culture before The Kite Runner and so like for many readers, I am guessing, it was an eye-opening experience to be introduced to the human faces of a country that has otherwise been portrayed so severely in the media.
Khaled did a 60 minute Q&A with the designated interviewer and with the audience. He talked about And the Mountains Echoed, a story about the ramifications of one Afghan family’s decision to sell their youngest child to another family, and he also talked about his writing process and a little about Afghanistan. Like at Junot Díaz’s talk, I struggled a bit with the note taking, this time because (1) my pen ran out of ink and (2) I accidentally deleted my notes a few minutes after I started taking them on my phone. (A post about author talk attendance do’s and don’t’s is forthcoming…) Anyway, I did my best to recoup what I heard. Here is a sampling of his quotes (paraphrased to the best of my memory) from the evening:
On the Sophie’s Choice-esque theme of And the Mountains Echoed:
Those things that are very difficult to imagine are the things I’m drawn to write.
On how to find your story:
I had an impulse in the past to write something educational, moral…to get on a soapbox, but the writing always suffered. I learned that if I feel the characters, feel their pain, their wants and needs, I will find the point in the story. Whenever I tried to build a story around a point, it always became stilted. It always flattens me when I write with an agenda.
When asked how he writes so beautifully, especially when English is not even his first language (he didn’t speak any English until he came to the States at 15!):
There’s been a voice inside my head since I was a boy – I don’t mean that I have a psychological illness [audience laughs] – and over the years I have developed a cadence that I have felt comfortable with . . . I have had this inner language with me for a long time . . . when I was younger and we would all sit around telling stories, the room would get quiet when it got to my turn…it was very powerful [laughs].
On how he could write so well from the perspectives of women characters in his second novel, A Thousand Splendid Suns:
I don’t think that I have any more insight into a woman’s mind than [interviewer] or any man in this audience [audience laughs]…in the beginning I would try to find out what they [the women characters] thought, but I learned to let them come to me, to let them tell me what they feel.
On The Kite Runner:
The Kite Runner was a grenade, it was divisive…some Afghans didn’t like that I aired our dirty laundry, and said that I was selling out to make money.
He said that support among Afghan readers was about 50/50, with the older, more conservative and religious generation more upset about his work. The younger and more urban Afghan people have been very supportive.
On his work with The Khaled Hosseini Foundation, which he started to provide economic, educational, and healthcare assistance to Afghan refugees:
We often forget the human story in war. Refugees live in a suspended existence. It is my job to bring to light the human story within the narrative.
I thought he was just wonderful. I was actually surprised, and then not when I thought about it, to see him initially looking a little nervous and fidgety up on stage. It’s so easy to assume that anyone this successful and intelligent would be comfortable in the lime light. He warmed up quickly as the talk went on, and I found him soft-spoken, humble, and extremely thoughtful and articulate. He showed no airs about him, and expressed gratitude that his books were being read.
After the talk was over I got in line to get my books signed. I didn’t try to craft anything special this time, especially as I observed that he was being pretty efficient in the process (there was a good sized crowd and the independent bookstore sponsoring the event was trying to move people along). I simply thanked him for coming and he smiled and replied, “Thank you.” He was quiet during the signings but spoke if readers initiated.
I was inspired after the talk to begin And the Mountains Echoed and so far it is fantastic. It’s my highlight at the end of the day to read it and I can see why everyone used to get quiet when it was Khaled’s turn as a boy to tell stories.